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At Veresna 2016, I wrote about rock. At that time, the camera had not yet been sold and I had to drink it in my hands only at once.

My seasonal look will be big, but not at all the other eyeglasses of photographic technology, such as in a blanket. Chi not "to the top" about all the functions, but in detail about the actual spheres of real storing for commercial children and for shoving amateurs, as not to apologize to them in front of a joke of an ideal picture.

Zovnishny viglyad

The camera inspires the povagu with its viglyad. The lines are all strict, to fake a medium format camera of the 80s. The blend can be without pelusts and іnshikh "zagravan" with koristuvach.

Verkhny ZhK ekranchik to complete the tsikaviy. It’s blinking (the screen of churning for the technology of the electronic blackening and how to help the machine not turn off the power), but on a new bile of numbers (when the buttons are pressed, turn the numbers dark) I feel like it might be better for me, lower screen Canon / Nikon(Yak in the old days to an electronic year) :) On the screen you can display a bunch of information and a great part of the information community is tuned in. Tobto is now not a virobnik of the command, but a koristuvach (hurray!).

On the left side, swing the ISO wheel. 100-12800 or you can put it on a car. On the right side, the wheel of the showcase, and stand directly on the object, like I have, like I tested in earlier (flagship FUJI for APS-C format, crop 1.5 x 36 × 24 mm).

The set of display windows, diaphragms and corrections are also retrofitted in the case of other cameras. One is on the front side of the front finger, and the back is great. The price was transformed by bagatma in ten years and manually (for Fujifilm GFX 50S tse alternative way of management. The main purpose of controlling the wheel of sensitivity, showcasing and diaphragm on the object).

On the lower side of the contact chamber for attaching the battery handle. I didn’t have anything in my kit, so we don’t tell anything about it.
A large number of cameras of a medium format at a time create a large area for a stable mounting on a tripod maidanchik. Tobto in the ideals should be placed on.

Then you can see a little bit of the camera "grasping". Moreover, the great burial (grip) is in front of her and the vidminny grip of the grip from her side.

Beast also respect for the main LCD camera screen. Vіn sensory, nahilyatsya і abductions by a hardened slope. The size of the new decent and the picture behind the colors of the wine is transferred to the good.

Yaksho znyati ob'єktiv, mi bachimo greedy bagatma sensor.

If the knowledge is already a shock - the bayonet is larger in diameter, lower at the extra 35 mm camera. And the sensor is even bigger, 43.8 mm x 32.9 mm. Axis nibi і not such a great yak plavkovy 6 x 4.5 cm, ale sounded in a small digital tse just a giant.

FUJIFILM I made a great deal of justice - I gave the postage of all the industries of the virobniks of cameras, translating them into a larger format. Already like the stench repaired the opir ... Already the styles of rock passed from the moment the first camera appeared 36 x 24 mm and the technology of gluing sensors, as they actively wicked in digital backdrops, but did not want to Canon, nі Nikon work in the middle format. It’s possible, so it’s more difficult for me to prepare a line of objects for the whole format.
Tim Radisnishe Bachiti "Psychological" bar 'r passed and far you can check, so "destroy the misce" of the gravity on the market.

On the back side of the camera, there is not a lot of buttons and a lot of buttons (in the case of those, all one does not know and do not sound for the button). Also, as and the appearance of the multifunctional joystick (1), for the help of which you can not only move the focus point, but rather change the picture when looking at the sign on the RC screen of the camera. It is wonderful, that in the whole rotsi there are a lot of virobniks (for example, Sony) You guessed that the camera is not bad for such a joystick. Previously, such a joystick buv only Canon and some FUJI, For example, y (the joystick appeared from the X-pro2 model).

Disp / Back(2) It is also a functional and brown button. Back- go to the front screen, and Disp switch modes to the screen, some information, how to be displayed.

Q(3) button for quick access menu (available on all FUJIFILM X-series cameras). The infection has become fashionable, і і on the cameras of the ones who are virobniks, so it won't happen.

Angry in focus (4) Change the mode to focus. As a matter of principle, the rosetting is done by hand. I want to know a little bit of it on the computer. And my medium format Mamiya in the front of the rosette.

I'll look at you Olympus the focus mode is switched to the active on the trombone, the focus is changed, here it is even more difficult to manual and to know the button can help people who do not read the instructions.

The buttons are not assigned to that stench programmed. We have a great plus to that you can adjust the function for yourself. It’s especially good to know that if you’re going to Fujifilm GFX 50S from the іншої system, tse allow їm zrobiti transition "m'yakshe".

Kilce (5) is a very functional ring. Tobto vono call is not the same as on the other digital cameras;
I didn’t feel bad about it, if I didn’t snatch the window. Then I became a zgaduvati, FUJIіnsha іdeology manual exposure mode.

on cameras FUJIFILM the "M" mode can be used to install the diaphragms on the object, the sensitivity on the wheels (2) and the showers on the kerm wheel (1). Anyway, on the other wheels, the windows are displayed approximately (for fine tuning, it is necessary to spin the disk (5), so you want to be able to put them in a digital way. Command).

At the vidminu, there is a cinnamon wheel surrounded by a retro-style showcase ( FUJIFILM it is not good for me, I admit that it’s okay to assess it, but it’s not a classic solution); ISO... The axle of the tse wheel For those who are virobniks, they can enter it with themselves.

Let's figure (3) the same lase! :) No contacts can be used to connect to an interface ...

Tse pіd zvnіshnіy electronic video! For the sake of a callous vidoshukach - a miracle of progress.

Persh, tsey vidoshukach is optional! Tobto vi you can use the camera and without a new one, you can use the LCD screen. The price is manual, but then the camera has become more compact (for example, I had another camera in my photo backpack, but I didn’t have a video). In a different way, more beautifully you still get up and you can focus on being a kut! Turn around on the axis, go uphill up the kut up to 90 degrees and stay in decilcoh positions! Don't screw it up, but in the standard version only the video itself is shown, and you can use the optional adapter, which will require you to buy an okremo.

The camera is hung from a plump battery NP-T125 Li-ion Amnestyu 1230 mAh.

For a mirrorless camera, a whole lot of non-falsification, I have changed. Ale yak і z be-like іnshoї mirrorless is more beautiful than two or more accumulators in reserve on serious calls.

Charging attachment Fujifilm GFX 50S viglyadaє is innocent.

The new cord has no cord, and the "plug" is wicked.

Such a charge is attached to it, and the stench of the air will rise in price. Todi does not need to carry with him an adapter for sockets, but to take a special "plug" for this country of kudi straight.

The camera has two slots for quick cards SD UHS-II and it is logical that the files go to the top.
"Brakes" when writing down, I did not mention any. Vikoristovuvav two shvidkisnі pictures, from Sony from Sandisc.

From the pumbled shouts on the left side of the camera, the interface is displayed.

An important moment

Camera Fujifilm GFX 50S and ob'єktivi with index WR((Water Resistant) Mayut drunk and brisgosahist. To pomilkovo bulo would think, as only a studio camera. And about the zyomka in nature, I will take a look around in the offensive part.

At all, I will end about the last view of the camera and move on to the technical side of the camera.

Technical characteristics

camera model	FUJIFILM GFX 50S
Bayonet	FUJIFILM G mount
Number of Effective Pixels	51.4 million (8256 × 6192 px)
Sensor	43.8 mm x 32.9 mm with Bayer filter of main colours, matrix cleaned
Vitrimka	mechanical shutter 60 min. - 1/4000 sec Electronic shutter 60 min. - 1/16000 sec Synchronization with sleep 1/125 sec more
sensitiveness	ISO 50-102400
Shutter type	focal
Max.widness of zyomka	3 fps
focus	contrast autofocus
vidoshukach	0.5 inch, approx 3.69 million dots OLED Color, 100% coverage Dynos of the output zone approx. 23 mm, dioptric adjustment from -4 to +2 Zbіlshennya: 0.85x with 50 mm revolving (in the equivalent of 35 mm systems) Diagonal cout zoru approx 40 ° Wake up the sensor
LCD screen	3.2 inches, sp_wired side, 2,360K dots, touchscreen
	Full HD (1920x1080)] 29.97p
Maps of memory	SD UHS-II (two slots)
On-hour, sec	0.4
image stabilizer	in assets (OIS)
file format	Photo: JPEG (Exif Ver.2.3) * 2, RAW: 14bit RAW video: MOV (MPEG-4 AVC / H.264, Audio: Linear PCM / Stereo sound 48KHz sampling)
Zamir exposition	TTL 256 zones, Multi / Spot / Average / Center Weighted
compensation for exposure	-5.0EV - + 5.0EV, 1 / 3EV step (For video: -2.0EV - + 2.0EV)
interface	USB 3.0, microHDMI, microphone input, audio, Wi-Fi, rose for remote control
Dzherelo zhivennya	NP-T125 Li-ion battery, resource: 400 marks with GF63mmF2.8 R WR
working temperature	-10 ° C - + 40 ° C
Size (width, height, depth), mm	147.5 x 94.2 x 91.4
wag	920 g with video clip and battery

Riznitsya in the format of the frame

camera Fujifilm GFX 50S to be rendered in a 36 x 24 mm frame, up to any sound. Assigned to the objects of focus in the form of display of the physical characteristics of the object and tim hto sound up to 35 mm format foldable visibility of the object of the higher education in the format of the display of the object Fujifilm GFX 50S beyond the kut zoru i yaku bude davati.

Beast of respect, that if the object of the object gets involved in the absolute value, then the given opening is given equally. Tobto, if the entity has a single opening F4, then it is rooted in an extraordinary rank. As soon as we fit the camera to the 35 mm format, we will put the same showcase at the same diaphragm. And the DOF axis will be seen at the same diaphragm, at Fujifilm GFX 50S DOF will be less.

Below, I give a calculator for a quick fix of an asset, so you could have poured it out in an active format.

For filing a lower little one, you can know the difference according to the cut of the middle of the objects for 35 mm format, so it will be more intelligent.

View the picture with 120 mm lens for the 43.8 x 32.9 mm format, for which the frame was opened at 25.7 ° view (approximately) with a focal length of 90 mm for the 36 x 24 mm format.

Tobto with a rough rozrahunka go to the following tables.

Variety of assets according to depth of field when pererakhunitsya per frame 36 x 24 mm

GF23mmF4 R LM WR	18 / 3.1
GF32-64 F4 R LM WR	25-49 / 3.1
GF45mmF2.8 R WR	35 / 2.1
GF63mmF2.8 R WR	48 / 2.1
GF110mmF2 R LM WR	84 / 1.5
GF120mmF4 Macro R LM OIS WR	92 / 3.1

We took the greens for a test at once with the camera. I would like to try macro objects from FUJIFILM and taking into account the macro-asset Canon on cameras 50 Mpix. A zoom FUJINON GF32-64mmF4 R LM WR required for landscape and reportage.

In general, the line of objects is logical. є super-wide GF23mmF4 R LM WRі universal zoom GF32-64 F4 R LM WR(From wide kut to standard - universal). Є "fix 35 mm" - GF45mmF2.8 R WR, For quietly hto love all the knowledge on the price of focal. Name the price of a street photo and a landscape. Also "standard light-strength fifty kopecks" GF63mmF2.8 R WR... "Portraitist 85 / 1.4" - GF110mmF2 R LM WR... "Good makriki 100mm" - GF120mmF4 Macro R LM OIS WR.

Why marriage? Definitely not vistachaє teleob'єktiviv.

Yak bachite, teleob'єktiv that teleconverter is already on the way.

Likewise, there is no “24-70 universal zoom”. All the other ones are also special objects, which are far from the skin needs. Especially, I would have stuck with an active on the system of that tse buv bi ob'ektiv a great format (!) With a magnificent stake of criticism and condemnation. All the same, it’s the most frequent thing to run the BF at once, because it’s not enough time to tell the lucky ones to optics, because it’s very expensive because there’s a great format, as few people have є. A FUJIFILM could bring to the photographic light the size of an accessible camera of a medium format and an accessible large format, which in the її lіnіytsі passed rockies will be finished. The history of the company is duzhe gidna.

Rozrakhunok gibini rіskostі for any format

Please update the vvazha calculator correctly. Chi vvazhaє vіn correctly DOF, I still don’t presume to judge, need to overturn.

Robot studio with Fujifilm GFX 50S camera

Having come to my studio, I am engaged in subject photography and mind everything. Having looked at the juvenile virib at the home of the mayor Zhigzhit Bayaskhalanov and called him "Little named", I went through the test with satisfaction and an element of excitement. I got it in the edge of the city, as a medium format camera in a subject photography would show.

The axis is so peering over the next frame ...

I tidied up the photo shop and all the elements in the photo. And also having introduced local contrast. Bulo tsikavo, as much as possible to be able to change in terms of detail and dynamic range.

And the crop of the same frame ...

Podivimya in macro mode, sprinkling 100% without Sharping and іnshogo.

I will add a picture and say my sub-active thought. In Pershe, everything is up to a given scale, but Canon 1: 1, and for a macro-asset FUJI- 1: 2. Tobto the picture on Canon my knowledge is twice as small (closer to the object). Axis tsei moment and yes to the great handicap zyaztsi camera + object Canon.

In the first place, I’m well, I know FUJI Buv is more clean and less than "noise". Tobto yakbi is not a scale, then FUJI played b, ale ...

In general, it is possible to say that offending cameras give more or less sufficient sign for any kind of subject photojetting. Z Fujifilm GFX 50S the whole process, mabut, if it is easier, it will need less processing of files. I haven’t asked any clues about Canon 5DsR problems in the framing, but the camera gives some artifacts on the signs, I call them “red dots”. You have to fight with them. The new firmware is smaller (Canon officially did not fix the problem), but the stench is still there.

Testing in nature

I climbed onto the balcony of my love, where you can see my "test wake up". On the other hand, I am working and re-verifying everything.
Super sturdy tripod - Gitzo 3rd series.

Have Fujifilm GFX 50S The mirrors are dumb, so the camera is nagato less strong to scabbards - it is transformed into practice. Canon 5DsR it is possible to launch the shutter by means of a radio trigger.
Focusing in both cases is automatic, with reversal when shifting to manual focus. The offended cameras focused even more precisely. Vlasne is great, and the weather is sleepy (contrasting object), so it’s not easy to focus.

plot 1

The plot looks like this ...

On this fragment I have not described the details of the sutta details. Bachu, a fragment of a frame Canon 5DsR more contrast, a little faster through the camera's profile, lower through the transition or the object. On a whole lot of fragments, it is necessary to look at the grille of the air conditioner, the windows on the balconies and other other elements. Fragment size for Canon 5DsR is more than for Fujifilm GFX 50S crop 0.767 and cut to look around the object to move the yak at 92 mm object on the university format (and Canon has 100 mm).

A Danish fragment is more interesting than the previous one, with an even respectful look, it is possible to poke Fujifilm GFX 50S detalizatsiya vische, unaffected by a smaller scale of the mark. The price is fine on the texture of the wall, for example, de y Canon tse is just "porridge", but Fujifilm GFX 50S plasters with clear edges. It can also be viewed with other other objects. Canon's stench is big, ale mensh chitki, niz Fujifilm GFX 50S.
Offended cameras show a hundred moire on the blinds.

plot 2

First of all, I’ll be brutal with respect - Canon 5DsR at ISO 100 є has "noise" in the dark areas of the sign. And at Fujifilm GFX 50S there is no such "noise". Friend - at Fujifilm GFX 50S nabagato is less. I will look at the input to the profile file, and I will see that it is a merit.
As a matter of fact, signs strongly reflect behind the colossal din. Canon has a "warm" picture, while Fujifilm GFX 50S in "cold" tones, nagadu signs Sony / Nikon... It’s not rotten and not good, it’s just a tribute. Before the speech, I even recommend trying to finish the number of profiles for the camera. I will even be given a profile Classic Chrome... Outside the enemy, it's beautiful!

Logic for the sake of truth is not so and it is not possible to see non-conformism. As an apologist for the Micro Four Thirds system, Fujifilm was waving more right from the start of its X-series. As Olympus and Panasonic immediately started talking about the supernatural power of APS-C, and now they were announcing their override of the digital format, Fuji attacked the next frame - for the X-Trans CMOS frame, and not the Bayer matrix, moving, to reach the frame size. First, in the light of reality, there is a real sense of change between sensors of small sizes - and if you are tricky, you can make a physically larger size of pixels.

Behind the fact, the X-series has gone deeper into the distance: here both the cameras are good, and the optics are good - none of the active Fujifilm has let go of the rockets in the rest; unimportant to the stocks of Micro Four Thirds systems, Sony and Samsung are on the list for this year Fuji is among the leaders for the number of new original optics. After the system was opened, the system was secured to reach the vuzie segment of entusies - prodigies of lovers were practically ignored (Fujifilm could sell a few cameras just as expensive as possible). Altogether, they turned out to be reluctant and a lot of professionals - X-Pro and X-T garnie, altogether you can win over studio photographs and landscape painters from their mirror-like frame systems and, moreover, not in the middle of cameras in Fujifilm.

A lot in the light they looked at the frame-by-frame camera in the X family - it was possible to win the bets on those that went to the matrix format after the X-Pro2. But whoever is guilty of taking that mitten off, threw the Sony rink with her a7. Yak z'yasuvalosya, maybe htos i pidnime, albeit not Fujifilm - the company, yak always, vibrated a special way. Have an average format!

A mirrorless camera with a sensor measuring 43.8 × 32.9 mm (1.7 times larger, lower than 35 mm format) has already been released and until the presentation of the 19th spring - the Swedish company Hasselblad presented it earlier in the first place. format, - the model has rendered out from the X1D. But Fujifilm has its own history in the whole plan - the GF cameras are ready to make a serious effort at their very hour. So, maybe the Japanese don't have any persistence here, but they have a moral right to try in this segment for sure є.

The new series has rendered the GFX the same as the historical name of the middle format Fujifilm and the X-series. The company encourages people to hunt for not only photographs, but also work in the studio, for example, for a great compactness and lightness (in the case of mirrors, medium format cameras, landscape cameras), On the reportage, the camera is, of course, a little rooted, I want autofocus є, all the optics are turned on, - and the camera, according to the idea, is not worn out. Ale on the price nіkhto not accentuate respect.

The characteristics of the poky are stated to be very few, gray, or rather the first, the GFX 50S model (do not feed - z'yasuvati, which itself 50S, I didn’t have), is still in rosette. A lot of things about her already zoosuilo - a design, like a sensor, a shutter, constructive features, ale like moments before the residual start, like it will appear on the cob of 2017, it will change. On the other hand, in the distance to learn about the prototype especially, I would like to see the mass publication on the stand of the camera and for her to be taken from the slope.

Otzhe, probably from the very head - the sensor. Here, the CMOS-matrix is ​​victorious from the traditional, Bayer-based rosetting of light-sensitive elements - its own know-how, the X-Trans system, Fujifilm did not become stuck. For non-use - a low-frequency filter of cleaning, and so, and moire we were called not to be afraid - by software tools to clean up an artifact of the present day, it is not difficult.

The sensor, judging by the Sony virobly - for all the parameters, is identical to that of Hasselblad (physical size I zgaduvav vishche, sent - 51.4 Mpix). The directors of the majestic size of the matrix improve the signal-to-noise ratio and increase the amount of light detected by the pixel. You can skilfully adjust the APS-C with a second frame, a little bit of physics - if you adjust the middle format with the same frame, but on the other side, Fujifilm will simply play the rhetoric of great numbers, with a flicker of it. Altogether natural, altogether funny.

The physical aspect ratio of the sensor is 4: 3, in the same mode it is 51.4 megapixels, but the format can also be 1: 1, 3: 2, 4: 5, 6: 7, 6:17. The sensor is equipped with a working focal shutter, which, behind the words of the virobnik, may even be lagged and effective without vibrations. At his own devil, the reduction of detail through the mirror of the mirror is switched on by itself through the visibility of the mirror. There are also a lot of malies for the medium format system and workflow, allowing you to change the size of the optics and optimize the design.

An important feature of the GFX 50S is its modular design. For the change, the camera will be supplied with a vidovanny vidoshukach - ale vіn znіmny, to be attached to a rich function nest on the upper panel of the camera; at the same time, before the speech, on the very top of the є "hot cherevik" - a place for sleeping, for example, it doesn’t borrow. Tsei vidoshukach can be used as a viewer, to speed up the dimensions of the camera, as well as to replace it with a vidoshukach - rotatable, brown when zyomtsi from the lower angle or to the side. It is possible to install a screen at the same time - either third-party, or vlasny, such an accessory may be in the plans of Fujifilm. Є All the necessary roses for connecting with a computer and HDMI. Yak pidsumok: with the camera manually adjust and in a static position in the studio, with the connections to the monitor, for example, in the field, it’s impossible to tidy everything up, and for the swing in the two squares of the screen, you’ll be guided by hand.

The GFX 50S is sized to fit with a full-frame mirror camera, so it looks amazing on the face. On the day, there are some comrades - і, trimati is sang in the hands, it is necessary to get used to it, zmіnyuvati calls. Being the flesh of Fujifilm, the camera is equipped with analog selectors for display and sensitivity, and the diaphragm is adjusted behind the auxiliary wheel on the objects. Є all the necessary control buttons, switching the focusing modes, two selectors, which especially become in the present with the victorian third-party optics, on which there is no diaphragm ring. Problems with keruvans are not to blame - everything is simple and rendered on the X-series. Before that, there was a segment display on the top panel, which until the end was not visible when the camera was turned on. Corpus, to the word, saw / vologozahischeniya і insurance for vicarious in the most powerful minds.

It's a tricky moment: the battery is not removed from the bottom, but from the side, right behind the matrix. Even though the company’s representatives start to fight with the drive of the powerful loading of the sensor and tied up with the reduction of image quality, the company’s representatives are not responsible for the warm-up process. Before the word, on the photokina I went into the distance from the medium-format mirrorless Hasselblad - and for her food overheating, it must be kept up-to-date. The aluminum building was literally plowed, and it was terribly twitching up to the new bulo. At the same time, as there is a lot of talk about her Zaishov, Hasselblad X1D came out more compact and beautiful - but less handy in the management plan. There is also a great emphasis on the touchscreen display, which, in its turn, is poorly implemented - most of the time, and because of the pardons, the proper order.

Turn to the GFX system, say about optics. A new bayonet has been created, which, apparently, is a new lens. Fujifilm is here, like in the X-series, the plan is to make a shock: at the start of sales of the GFX 50S, a release was transferred and three objects - a complete 63mm f/2.8 R WR (35mm equivalent - 50mm), standard zoom 32-64mm f / 4 R WR (equivalent - 26-50 mm) and macro-active 120mm f 4 Macro (equivalent - 95 mm). WR stands for the pilot's water resistance. Last year, in 2017 it is planned to issue 45mm f / 2.8 R WR (equivalent - 35mm), 23mm f/ 4 R WR (equivalent - 18 mm) і 110mm f/2.8 R WR (equivalent - 86 mm). Do not say that if the entire necessary range will be hunted at once, the company will be more risky.

Whenever there are transitions to the assets of the middle-format systems, then they are not, but leave everything that can be said. The specifics of the bayonet will be disclosed, but the company's representatives will not tell you whether there will be a stink of dealing with the design of the adapter or to give the task to the third companies.

The camera itself is planned to be released, as I have already said, on the cob 2017 rock. Accurate price, vividly, not to be called, but pay less than $ 10,000 for a kit-version with 63mm lens f/2.8 R WR. So, it is even more expensive to navigate in high-end full-frame systems, and even more medium-format cameras - it is quite acceptable. The transmission of the novelties was successful, or the failure was still too early: in the first place, the system just started, the popularity of the X-series due to the urahuvannya and її zapіznennya for two or three rocks, as well as competitors, too, was unsuccessful; in a different way, the very understanding of success for a medium-format camera is more specific - you will definitely not become a mass one, but if you deserve a job as a middle-size professional, you will not be able to win.

Medium-format cameras in the era of "swimming maturity" were not too bright and exotic, being both a working instrument of professional photographers and amateur devices. To navigate in the CPSR, a spout was released, caught up with a bit of fun, budget models, for example, "Amateur". Protest, everywhere widened the 35-mm single-frame cameras were built.

With the help of the digital ery of technological interconnection with virobnism matrices gave rise to the panuvannya of the sov. "Cropped" models, moreover, the crop factor has appeared velmi rіznomanіtny, from 1.5 for APS-C to double digits in smartphones cameras. Protest, progress literally in a couple of dozen rocky, allowing the covetous indicators to be sought out for single-frame matrices, and sometimes for medium-format matrices.

However, digital medium-format cameras did not become (and, judging from us, they won’t become) a masovim, amateurish, commodity like their ancestors. The reason for screaming is that a lucky digital camera can use an inch matrix to adjust the picture quality, enough for a friend on a "non-display" format, not even about the most popular screen re-views.

Well, I will go to the middle format, having lost and grown up with the appearance of new cameras. At the spring of 2016 (Cologne, Nimechchina), Fujifilm for the first time shook the photo community by introducing the medium format GFX system. Hinged 2017 r camera and three objects appeared on the Ukrainian market before it. On the list of the company's products, Fujifilm GFX 50s are sold from an exclusive dealer, the Paparazzi company, via the Internet, as well as in the format of a traditional store in Kiev and Odessa.

At the time of the start of sales, the camera itself is 50s (201: 140 UAH), Three winter objects, a vertical battery handle and a rotary maydanchik for a changeable electronic video.

FUJINON GF63mm F2.8 R WR lens (UAH 46,640) I will provide the same focal length of 50 mm on a full-frame camera. Win to finish compact (behind small format) and not equipped with an optical stabilizer.

Zoom FUJINON GF32-64mm F4 R LM WR Contacts (67 050 UAH) To reach values, especially with a hood. Yogo equivalent on the main frame 25-50 mm, stabilization is mute. Oscillations of the geometric nature of the object to lie in the wide-cut position, 32-64 in the wide-cut position, I give (for this indicator) a picture of the lower frame (and more - "cropped") competition.

Fujinon GF120mm F4 R LM OIS WR Macro That is a good one in landscapes, a smut - to know a plot that is suitable for an equivalent 90 mm plot. Leaving a single unit with optical stabilization.

Announced two more objects, FUJINON GF110mm F2 R LM WR (yaskraviy analogue 87 mm) and FUJINON GF23mm F4 R LM WR, equivalent 18 mm on the main frame.

The company declares that all optics are distributed with a reserve of separate buildings, like the name bar of the sensor is 100 megapixels.

First of all, they were looking for sales and announcements of the asset stolen from the saw, in theology, and guaranteed to work in ten-degree frost.

Bagato tse chi is not enough? Behind the worlds of versatility for single-frame and crop-based devices, there is definitely not enough. From the point of view of a real victorian - yak minimum to finish for the start. It’s not easy to skimp on one more nuance. Fujifilm GFX 50s is a mirrorless system with a short working length. Tse means that on it without problems through simple transitions it will be practical to be an object of medium format and large format technology. If the shutter of the GFX 50s is in the camera, then the shutter does not appear before the camera.

Design and ergonomics

The Fujifilm GFX 50s with mid-format mirrors are not varied, but the odds are that it is quite technologically advanced - the view of the mirrors. This made it possible to design a compact and lightweight body. The main competitor, Hasselblad X1D, is even less, but if on the right it reaches the efficiency of a robot, the minimum size does not depend on a positive factor.

The GFX 50s has an X in its name. The engineers and designers tried to transfer everything more beautifully to the middle format, but in Fujifilm X-series cameras. The diaphragm can be displayed manually on the software, the sensitivity and display - on the cameras themselves. Ideal? When zyomtsі in manual mode - so, and the axis in the priority, or auto-chogos is not whistling. Disk introduced by Ekspopravka. The GFX 50s is prone to one-hour pressures on the button with the right finger and wrap the wheel on the tilted panel.

The control system of parameters with an emphasis on the hardware organization at the GFX has been able to quickly lower the focus on the sensitive to the dots-type LCD screen at the Hasselblad X1D. It’s honestly, the child of the legendary Swedish brand is more like a digital road, I want to see the picture, of course, not to be recognized. The 50s has a touch-sensitive screen, the head scenario for the camera is a direct linking of the autofocus point to the picture with a robot with a tripod.

Special praise for the merit of the turnaround for the famous electronic video shooter for the GFX 50s. It allows you to adjust the eyepiece on the edge up to 90 and turn the optical axis and turn it on the edge up to 45 in the horizontal (also the upper panel of the camera) area. However, the prices are not cheap and are sold very well.

functionality

The sensor with a 43.8 x 32.9 mm sensitive area measures a frame of 8256 × 6192 pixels. RAW 14 bit. The standard sensitivity range is ISO 100-12800 and can be expanded up to 50 and 25600-102400. On the view of the cameras of the X series, you will see the Bayer rather than the official mosaic of lightning. With the generation of JPEG available, Fujifilm's profiles of classic films have been recommended for themselves.

The shutter is mechanical and electronic. Oskilki mirrors are dumb, spratsovuvannya is not supervised by the smudged strings of the body. To minimize the rupture of the camera, the engineers added the mode with an electronic first curtain.

The autofocus system of the GFX 50s is contrasting. I won is good. Forget those who knew about the contrasting method, but only ten times or more. For cameras of the X series, in the GFX 50s, you can vibrate a point (from a 9 × 13 matrix, 117 points, or 17 × 25, 425 points, from an adjustable size, 6 values), a zone in the frame, or the mode. The autofocus points cover the entire area of ​​the frame, overlapping the "empty" one without a thin frame at the yogi cordons. Vibrate will need additional help, or the joystick on the type panel, or dottik to the picture on the LCD screen. Pratsyu viznachennya particulars with the possibility of giving priority to the right or the eyes of the model. In manual mode, it is possible to generate large interconnections between objects, which is even more corny in case of victorious operations from other systems.

The GFX 50s has a famous electronic video shooter. The quality of the picture in the new merit of the self-grave assessment. The panel with 3.69 million pixels will give a detailed overview, and the optical system will provide 0.85x improvement. However, the streaming version of the firmware prevents "transition processes" at the time of autofocusing.

picture quality

For the assessment of the merits and the discovery of shortcomings, an apparatus with a "venal" series and three objects was given.

A collection of formal pictures, test still life in the studio. JPEG from camera and RAW can be edited for any request. ISO 12800, but the "standard" value, can be victorious, for example, when the sky is bright and in art projects, especially monochrome. Noise, of course, є, however, the gradations in the tins become overwhelmed.

Before the end of the day, the camera didn’t like remixing more than + 1EV, the details in the light could be reconstructed. Getting started with information is more real than knowing, why navigate -5EV at ISO 1600. Surely, an extreme scenario, not very lively for a studio, but quite real for a landscape child. 14 bit RAW display a large file size. The dynamic range is allowed in the significant intervals of the image editing, for example, the subtle nuances of the image.

The detail is hostile. Ob'ktivi paint a narrower picture, coverings, for children in front of a child it is necessary to come with a special respect for the quality of the make-up.

The latest versions of the gallery icons (JPEG from camera and RAW) are also available at prior notice.

* * *

The camera is prompted, but it doesn't have the same power: why pay more (doesn’t cost more hardware with the same sensor permission)? In such a world, it is rhetorical. First of all, it’s not only for the budget. If you want to go beyond the negotiation of mutual relations with the deputies / agencies and, for a little bit of satisfaction with yourself, you will not be able to change the frame and the dynamic range.

Canon at Photokina 2016 showcased a prototype 100 megapixel full-frame camera. Evaluation of the dynamic range of the sensor was not imaginable, albeit the physics behind the process of digitizing light is shown, the format is 24x36 mm, even to the extent of the technological stele and the check out of the technological progress in the readily available for non-glare. Improving the sensor size allows you to increase the visibility of the sensor more, and also more efficiently and reduce the signal-to-noise performance.

Then on the stand I threw myself into the eyes of an optical device with the permission of the asset. The laws of optics, chemistry and economics are not beneficial: the capacity of the available for the price, the smarter for the size / mass and the amount of 100 megapixels on the main frame still could not be achieved. I, to be built, can not be in the same maybutny that is accessible for viewing. I know the difference over the size of the sensor, the role is even more important: it’s simpler for the middle format.

Fujifilm GFX 50s is a powerful working tool for the studio photographer, as well as for quiet, who know about the trip. However, the main thing is that it is in the perspective of the system. We did a good job at Fujifilm with the X series. The X-Pro 1 was a good one, and, having made a bet on the system, they did not lose. X-Pro 2 і X-T2 came to the market, even boolean, good potential. I would like to see if the GFX is better than the minimum. Years in 50s є real competition from the frame-by-frame segment, especially in terms of sensitivity to the price of vichiznykh photographers. As soon as the offensive models appear, we will start to remember it, and some of the food has become irrelevant.

assessment site

plus: a picture in a wide range of sensibility is very nice for a friend on a large format;

minusi: a small park of company optics at the start, synchronization with studio sleepers only on fairly large display windows, a similar sensor call є on single-frame cameras with a significantly lower price

visnovok: Vidminny option for quiet, who would like to know on a medium format camera and ready to expand the park of assets, or optics is available through the links, including from the secondary market

Technical characteristics

	8256x6192
Zminny ob'єktiv	+ (Fujifilm G Mount)
Focal length, 35 mm equivalent	deposit the asset
Maximum aperture	deposit the asset
optical zoom	deposit the asset
Мінім. focus distance, m (sound mode)	deposit the asset
Мінім. focus distance, m (macro mode)	deposit the asset
ISO sensitivity	auto, 100-12800 (expandable up to 102400)
Minimal showcase, with	1/8000
Manual focus	deposit the asset
digital zoom	nemaє danih
Belogo balance	auto, 7 presets, manual
Serіyna zyomka, frames / sec.	3
Exposure, EV	+/-5, 1/3
expo metering	zavmered in the center, matrix, dot, center-zvazheniy
In the wake of sleeping, mode	-
tipi files	RAW + TIFF
Max. frame size; frames / sec. (Fps)	1920x1080 (30fps)
video format	MPEG-4, H.264
vidoshukach	electronic
LCD-screen (diagonal in inches; number of pixels)	3.2 ", 2,360,000 touchscreen
Touch screen	+
Screen (turning or sliding)	+
Live View (for mirrorless and mirrorless)	+
Image stabilization system	deposit the asset
autofocus system	contrasting
Much for a great sleeper	+
wake up a microphone	+
Maps of memory	2xSD (SDHC, SDXC)
Built-in memory, MB	-
interface	USB 3.0, Місго HDMI
microphone input	+
Wi-Fi	+
HDMI	Місго HDMI
liveliness	Li-Ion battery
Charging attachment	+
Size, mm	148x94x91
Waga, g	740
dodatkovo	Wi-Fi, control via smartphone
link	https://www.fujifilm.eu/ru/produkty/cifrovye-kamery/gfx/model/gfx-50s/specifications-30701
color	black
battery model (markuvannya)	NP-T125

More recently, there were a bit about those who, Fuji's engineers, were creating cameras, which would preserve the "miraculous quality of the image." The first axis of the company officially presented a 51.4-megapixel mid-format mirrorless camera Fujifilm GFX 50S.

The X-Processor Pro processor, which was highly rated for the quality of the transfer of color and the optimization of tone, will take care of the processing of the image in the GFX 50S. The camera has a new sensor in the Fujifilm G format with a size of 43.8 × 32.9 mm and a resolution of 51.4 megapixels. The sensor will adapt the 4: 3 aspect ratio for the suggestions, as well as for vibrations: 3: 2, 1: 1, 4: 5, 6: 7 and 6:17. This format was implemented earlier in cameras of great and medium format.

The GFX 50S, however, is lighter and more compact than traditional mid-format cameras. Besides, it is similar to the X series, the novelty proposes a wide range of buttons and disks, saving with an ergonomic design.

The vidovanogo vidoshukach is not, albeit transferring, there is an electronic vidoshokach, which can be seen when learning through the monitor, or if you want more lightness and compactness of the camera.

With a supplementary adapter, an electronic video clip can be vikoristovuvati before being a kut. And an additional battery grip is used to improve the camera's ergonomics when it is zoomed in a vertical arrangement.

For the GFX 50S, a line of Fujinon GF assets was broken, which was specially designated for the new G Mount. Fuji has cracked a short-flange bayonet, speeding up the movement to 26.7mm to minimize rear focusing, prevent vignetting, and expand the overall frame from edge to edge.

Here is a selection for the system to use the number of revs: 63mm f / 2.8 (50mm in 35mm squares), 32-64mm f / 4 (25-51mm squares), 120mm f / 4 (95mm squares) .), 110 mm f / 2 (87 mm in eq.), 23 mm f / 4 (18 mm in eq.) І 45 mm f / 2.8 (35 mm in eq.).

All new devices are used to remove the diaphragm from the saw and to the camera, as well as the diaphragm ring from the "C" (Command) position, which allows you to set the diaphragm from the disk to the camera body.

The new Fujifilm GFX system camera is expected to hit sales on the cob in 2017. The exact date of the release and prices were not denounced. Ob'ktivi look like this on the cob 2017 rock, like Fuji.

Mi prodovzhuєmo consistent test of medium format cameras: Mirrorless Fujifilm GFX 50Sі mirror Pentax 645Z... Our first test, with a subject matter, showed the same stench. For the rest of the time I was protesting at the model zyomtsi, like the last time, in identical minds.

Trying to know this way, to appreciate the great dynamic range of the middle format. I know vikoristovuєmo two objects with the same focal length, 125 mm.
Vistavlyaєmo light, so called, a T-shaped scheme: above, over the head of the model, a strip is spaced, the same strip is victorious and like a back dzherel.

Puttable black background

At the end of the test of our Fujifilm GFX 50S and Pentax 645Z cameras. We tested them on subject and model zyomka in the minds of the studio. On my thought, camera for the quality of the picture. Both have a vidminny dynamic range, a wonderful performance in tones and lights, a brilliant contrast and sharpness. The matrices in the cameras are the same, they are driven by the processors and the image processing algorithms.

Prosperity Pentax 645Z - mirror-like and with a model image, the picture in vidoshokachi in the first place was worth more. Fujifilm GFX 50S - mirrorless with electronic video and when the model is turned, if only a little, for example, I don't want a picture, some pictures in this kind of a picture, I can stand to change, but it’s like ...
Vaga cameras turned out to be practically identical, some of them due to the greater power supply of Fujifilm GFX 50S, they were included in the set with a battery handle.
I have tested the cameras in the studio minds and, because of the professionalism, I need the maximum possible quality result already before the hour of the harvest, without post-processing. Offended by the cameras, they told my vimogs thoroughly, thank you for the greatness of the retail partners of both companies.
This means that the Pentax 645Z has more autofocus, the Fujifilm GFX 50S has better autofocus.
With the Pentax 645Z, you can use the optics from the float cameras, but the lens mounts are the same.
For the Fujifilm GFX 50S camera, only 3 cameras have been released for the current year, but the company will start playing, but the line will be expanded. But, most importantly, the GFX 50S has a short working drive and through the adapter adapters, you can put medium format optics on the camera, including those of the Pentax. I tse duuzhe suttuviy plus.